A Note from the 2021 Keys for the City Pianos

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It is so good to be back on the streets of Lancaster!

We’re able to share our keys, notes and our cool, hip, brilliant “looks” that our talented visual artists have created and given us.

Most of all, it’s wonderful to have you — the citizens of Lancaster — once again tickling our ivories. Both the white keys and the black keys. When we all work together — the white keys, the black keys and you — we create wonderful music.

In March 2020, we were tuned up and poised to be delivered from the Benchmark Construction warehouse to the artists who were going to give us our “makeovers” before hitting the streets in May.

And then?

Well, you know the next verse to this song.

We know that the pandemic has been incredibly difficult for you. It’s been hard on us, as well. We desperately wanted to be on the streets making music with you, bringing people together through music. It’s what we do. It’s what we live for.

We missed a lot while stuck in that warehouse for a year and a half. We didn’t experience the great Community Clamor, when music exploded through the city and county to thank our health care professionals for taking care of us.

We didn’t see the bands strapped on the back of trucks bringing music to our neighborhoods.

We didn’t see the musicians doing Zoom concerts (they don’t provide us with internet access in the warehouse). And we are just now checking out the various music-themed murals around town that served as a substitute for us last summer.

Like you, we were isolated. Just us Keys for the City pianos, sitting in the dark, commiserating, not knowing what the future would hold. That can get a piano thinking. But as with any difficult or challenging situation, there are hidden opportunities.

As with you, that time in isolation provided an opportunity for some serious contemplation and self-reflection about who we are, what we do and what’s truly important.

What we came to more fully understand and appreciate is that investment in music and the arts is more important than ever.

Throughout the pandemic, it was music and the arts that stepped to the forefront as a healing agent, keeping us connected during difficult and unsettling times. While it has been science and medicine that have helped us survive COVID-19, it has been music and the arts that have gotten us through it.

And we will continue to do so, because that’s what we do.

Our return represents another step in achieving something resembling normalcy. So please gather around and enjoy us. Let us help rebuild the connections that were severed and let us continue to help our community heal.

When things return to "normal," that will mean, for us, fighting against continued cuts in music programs, because music is more than notes played and songs sung. In other words, music is more than simply music.

Music is essential as an educational, healing and community-building tool. We hope you don’t forget how, when things were looking very dark, musicians and artists stepped up to fill the voids left by the isolation, pain, uncertainty and loss inflicted by the pandemic.

Perhaps the greatest lesson we learned was that we are not simply an “extra” that is nice to have, but rather, we are essential to our lives, our schools and our community.

So play on Lancaster! Play on!

This essay appeared in the Saturday, August 14 2021 edition of the LNP News

The Power of Music in a Stressful Pandemic

John Gerdy, founder of Music for Everyone, is shown outside his office at The Ware Center in this file photo.

John Gerdy, founder of Music for Everyone, is shown outside his office at The Ware Center in this file photo.

Times like these can spur intense internal reflection about what is important in life. It also can lead to some questioning about whether what we do, whether at home or in the workplace, adds value in our community.

As the executive director of a music-related nonprofit organization, I have thought deeply regarding exactly how our mission of cultivating the power of music as an educational, community-building and public health tool applies to the COVID-19 crisis at hand. Clearly, while music is very important, an argument can be made that compared to the heroic public health workers and organizations that are directly addressing life-and-death issues, music’s importance pales.

But to underestimate the importance of music in our lives and communities in times like these is misguided.

Human beings are social creatures. Our brains are wired for, and our emotional health is tied to, being connected with others. We crave touch, we need human connections and we need to feel a sense of belonging. Our emotional and mental well-being literally depend on this sense of human connectedness.

In a crisis of this magnitude, people feel confused, afraid, alone and unmoored. These feelings and emotions are amplified significantly in a global viral pandemic that requires social distancing, self-isolation, and lockdowns. On top of that, the realization that such social distancing may be required for months rather than weeks further contributes to the anxiety, stress, and feelings of hopelessness.

Throughout time, one of the fundamental responsibilities of musicians and other artists has been to create art that shines a light on the issues of the day in a way that helps make sense of the world around us, offering hope and comfort amid fear and uncertainty. But in the age of this novel coronavirus, accessing and investing in music is infinitely more important for another reason.

It is clear that following closely on the heels of the virus will emerge an emotional and mental health crisis within our populace. The impact of social separation and isolation on issues relating to depression, loneliness, hopelessness, and suicide may skyrocket.

Research tells us that music is one of our most powerful therapeutic tools in helping to mitigate the effects and impact of depression, anxiety disorders, stress, loneliness, and isolation. Music can elevate an individual’s mood, resulting in a more positive outlook. It also offers a pathway to connecting with other humans.

That being the case, now more than ever we must harness and leverage the power and potential of music.

We hope to do this in a small way Thursday in the Community Clamor, an event led by LNP | LancasterOnline, the City of Lancaster, and Music For Everyone, the organization I lead.

We’re asking Lancaster city residents to step outside their homes at 6 p.m. — while maintaining safe social distances from their neighbors — to play a musical instrument, cheer, sing or simply bang together some pots and pans.

The aim will be to thank health care workers and other essential workers for putting their lives on the line during this pandemic. To let some of our anxiety go. And to connect with one another.

As David Brooks noted last month in The New York Times, “music and art are already filling the emotional gaps left by the absence of direct human contact.”

He cited the example of neighborhood kids putting on a cello concert for an elderly woman who was self-isolating. Other examples include the opera singer in Milan, Italy, who performed from her balcony for her neighbors during that city’s lockdown. Numerous musicians are conducting virtual performances from the comfort of their homes. These are all examples of how musicians and artists are creatively leveraging their talents to serve the greater public good.

In a very strange sort of way, the current self-isolation and lockdown measures offer musicians and artists something that they crave — a captive audience of individuals and families longing for entertainment and a sense of belonging and connectedness as they sit at home with nowhere to go.

While the most pressing current need is addressing the physical health issues and economic challenges related to this pandemic, let’s not forget that this current crisis challenges each and every one of us on an emotional and mental health level.

In the uncertain weeks and months ahead, leveraging music’s capacity to mitigate the negative impacts of isolation, and to keep people connected, will be profoundly important. Whether looking to bring your family together, calm your nerves, engage your kids or to feel connected to another human, music will be an essential tool in our efforts to survive the current crisis.

What we as musicians, artists, and community arts leaders do in the face of this crisis is vitally important. Our communities are going to need the soothing, healing and connectedness that music and the arts are uniquely qualified to provide.

We all need to think outside the box to leverage our talents, connections, resources and the power and potential of music and the arts to help our communities come out on the other side of this crisis stronger, healthier and more connected and empathetic than ever.

John Gerdy is founder and executive director of Music For Everyone. He can be reached at JohnGerdy@aol.com

This essay appeared in the Sunday, April 12 edition of the LNP News

John Gerdy WITF Interview

Scott Lamar: 

The number of schools offering music education in Pennsylvania and the nation, is in a steady decline and has been for more than a decade. Reduced budgets and shifting priorities are often to blame. Music For Everyone is a Lancaster based nonprofit working to raise awareness and resources to strengthen the role that music plays in schools and the community in the face of declining music programs.

Music For Everyone has provided over 6,000 instruments to Lancaster country schools since 2006, and there's a lot more going on there. Joining us is Dr. John Gerdy, who is the founder and executive director of Music For Everyone. Dr. Gerdy, welcome to the program.

John Gerdy:                 

Great to be here.

Scott Lamar:                

Dr. John Gerdy, before we get into the current situation across the country, and across Pennsylvania, and in Lancaster County of music programs in schools, I think that your background and how Music For Everyone was founded and developed says a whole lot. You were an athlete. I don't know if you still are or not.

John Gerdy:                 

Not so much.

Scott Lamar:                

You were an All American basketball player at Davidson College. You were the schools leading scorer until someone by the name of Steph Curry came along. Played pro basketball for three years. You would seem to be someone that would advocate strongly for athletics in schools, but yet, music is your passion and helping schools to ... I don't want to say maintain, but maintain in some areas, but further expand their music programs in others. How did it all come to be?

John Gerdy:                 

Well, I mean, you talk about my passion really is education. Education reform. It's preparing our children to compete in the global integrated world economy, and world community of the future. Education is my passion. After playing basketball, I ended up working in college athletics at the NCAA, and as the associate commissioner of the Southeastern Conference. I always did that because I viewed athletics as a tool to supplement the educational process if it's kept in the proper perspective.

With the birth of our first child, I left the SCC and was a stay at home parent for two children. As the kids got older, they didn't need dad around as much anymore. I had this wonderful opportunity to reinvent myself. I could've gone back into college athletics, but you know, been there done that. As a lifelong musician, I started doing the research on school music programs are being but, and underfunding, defunded. At the same time, all the research about how effective it is an educational and community building tool, and it just didn't' make sense to me.       

You know, trying to think on acting, you know, on the notion of think globally, act locally, I got some friends together, did a small fundraiser. We raised about $11,000 and bought some instruments for the school district of Lancaster. It just kind of ... be careful what you ask you. It just kind of mushroomed. To me, it's not much of a jump because similar to athletics, which is a tool to supplement the educational process, if it's conducted in the right way, music is the same. It's a tool to contribute to the educational process.         

I've come to the realization or belief, after being involved very heavily in both, as an athlete, or a musician, or as an administrator in both ends, that music, if you do a thorough honest clear eye data-driven return on educational investment, in dollars spent on, for example, football, tackle football, versus music programs, it's not very close. If you were keeping score, like a football game, you know, the score would be 55 for music and 20 for football. It's just that effective, right on down the line. Everything from the currency of the future's creativity. A lot of the jobs our children are going to have in the future, haven't even been invented yet. Music is the most effective tool in our educational arsenal to teach creativity.

Scott Lamar:                

How do you measure that?

John Gerdy:                 

Music, at its core, music is about creativity. It's about thinking out of the box. Arts are about being able to color outside the lines without penalty. If you look at a number of other things as well, you look at lifelong learning. One of the most important functions of our schools is to develop and nurture in our children a love of lifelong learning. If you compare football, for example, versus music, 99% of the kid's last football game they play is the last time they'll ever play football.

But music, you can play it until, you know, your last days. In terms of lifelong learning, it's so much more effective. Just a mere fact that half of the student population, I mean in girls, can't play football, for example. Everyone can play music. Music is math. Music is reading. Music is logic. Music is a language. The data backs all that up. Every single day it seems there's a new study coming out about how music programs, involved in music programs, enhances these academic skills and interpersonal skills. The other thing is, you know, you talk about one of the major justifications for sports in our schools is that it teaches this concept of building character, teamwork, discipline, communication skills, personal responsibility. Well, you know, and it's true.         

I've been on a five-person basketball team and being required to develop those types of skills, communication skills, discipline, teamwork, all those kinds of things, in pursuit of a common goal, which is winning, okay? But I've also been in a five-person band, trying to work together to achieve a common sound and it's the exact same things, discipline, teamwork, communication skills, personal responsibility. If you really take a close honest look at the data, the return on educational dollars invested in music is tremendous.               

A lot of people talk about, is music a core course? Is it core? Is it co-curricular? Is it extracurricular? I kind of view it differently because of the universal nature of music, it's a universal language. I think music is more like the glue that can hold the entire core curriculum together. You can use music and apply it, and use it to teach science lessons, history lessons. Music is math. All of those things. The value of music as an educational tool is just astounding. The data coming out every single day reinforces that point.

Scott Lamar:                

Most educators, maybe I shouldn't say most. I won't make a judgment there, but I would say many educators would agree with you with what you just said. But yet, if they said, "All right, we're going to cut ... we have a tight budget here and we have to cut some extracurricular activities." If they said we were going to cut the football program, or in some way cut back on that, compared to the music program, and not cut any funding from the music program, they would have people up in arms.

John Gerdy:                 

Yes, they would. That's something that I think as a ...

Scott Lamar:                

By the way, I'm not saying that's right. I'm just saying, yeah, just an observation.

John Gerdy:                 

No, well, first of all, the football or athletics lobby, for a lack of a better term, is very well organized, very vocal. The music and arts community isn't quite as effective in its advocacy. I do think a lot of that is changing, particularly on the football side, driven by the, you know, revelations about head trauma. I think we're slowly changing. Again, we simply ... educational leaders and community leaders, we simply cannot continue to fund programs simply because we've always done it that way.

The world is changing too rapidly. We have to look at the data, look at the research, and ask an honest question, what is more effective, in terms of educational return on investment. We're operating ... the expectations of our schools and our teachers to instill in our children an education worthy of the 21st century, are rising dramatically. At the same time, in an environment of declining resources. That begs the question, we have to be more effective and efficient with every single educational dollar we spend. If you're honest about looking at it, take an honest look at it, the data is just irrefutable about how effective music is.

Scott Lamar:                

You know, let me get back. I mean, we were kind of talking the broad picture about music, and athletics, extracurricular activities, but we didn't talk specifically about what Music for Everyone does.

John Gerdy:                 

Our mission is to cultivate the power of music as an educational community-building tool in Lancaster County.

Right. Our mission is to cultivate the power of music as an educational community-building tool in Lancaster County. What we do, basically, is we go to schools, we ask them what the gaps are, what their needs are. And then, we turn around to the community and we say, "Hey, does any of this interest you? If so, invest in us." And then, we will turn around and strategically, effectively, and efficiently invest those resources in schools, and in community arts groups throughout the county.

To date, we've been around for 12 years and we've invested, or I think we're closing in on close to I guess $1.7-million in total investment. Everything from an annual instrument grant program. Last year, for example, we awarded over $112,000 in grants for instruments. We give to all 16 schools districts in the county. The thing about it is, the gaps still exist because we received about a quarter of a million dollars in requests. If you provide instruments, then you know, you can provide a class of 30 kids or an orchestra of 30 kids, everyone a brand new instrument, but there's only one instructor. What's the point?           

Next, we're underwriting music mentors, professional musicians, music education majors. That was the instruction component. We've just announced about two weeks ago or so, three weeks ago a third component, the third leg of the stool is a program instrument repair program where we are going to catalog and repair every single instrument, of every single public school in Lancaster County on an ongoing basis.

Scott Lamar:                

Wow.

John Gerdy:                 

That's our next big thing. We've secured some seed grant money from the Stimmen Foundation and Clark Industries to get that up and going. For example, we did a pilot program at Colombia last summer where we repair 50-some odd instruments, something like that. Yeah, you got to take care of them if you're going to give them away. There's no room in the budget for repairs for schools.

Scott Lamar:                

What about student participation? I mean, you're in a position to see okay, maybe there have been some schools that have cut back on their music programs, but are there fewer students, the same, more, that actually want to participate in music programs?

John Gerdy:                 

We believe that if you build it, they will come. One of the best things I've heard from a teacher just recently was talking about how their string program, it was in the school district at Lancaster, was expanding, and more kids being involved. When you pay attention to them, you give them instruments, you give them instruction, you make them feel important, it suddenly becomes cool. She said, you know, "The kids are starting to think, hey man, it's cool to be a part of the music program."   

The other cool thing about now that we're around for 12 years, things are really starting to become full circle. For example, there's a young man in our program who's been a part of our MFE Strings, which is an after school program, and our summer camps since fourth grade. Just graduated McCaskey High School, and now he's coming back to serve as a mentor for the younger kids. A lot of it's starting to come full circle now. Again, if you build it, they will come. If as a community, or a school board, what you fund, what you prioritize, has an impact.

In other words, if you say it's important and then you fund it accordingly so that people see evidence, oh, this is important, then the community will follow. That's what we plan to continue to do with music education.

Scott Lamar:                

You know, Lisa Sepsy said something that struck me. She was talking about Colombia and she said, "We are an artsy town, that art is important." The city of Lancaster, let's face it, the city of Lancaster in the last ten to fifteen years, has become an art's destination.

John Gerdy:                 

Yes.

Scott Lamar:                

That would seem to say that the message is passed on to young people is the arts, including music, is important in this city.

John Gerdy:                 

Absolutely. You know, you talked about why ... I talk about sometimes the art community is not as effective as it needs to be as an advocacy. One of the reasons is because we've too long, we've just used the argument when fighting for funding, when fighting for, you know, for priorities in the school budget, arts for art's sake. Yes, arts for art's sake is important, it feeds the soul, it does all of those great things. But, we've also got to talk about the practical impacts. Impact on test scores, impact on reading skills, impact on kids wanting to be engaged in school.

Also, the economic impact of music and the arts in our communities. The argument needs to be more, it's not just arts for art's sake. That's just, you know, a fluffy thing to do. It's important because it's driving our economy in a lot of ways. Lancaster is a tremendous example out that, about strategically investing in the arts to build a community for economic vitality. We've been very successful at doing that.

Scott Lamar:                

You've been successful in doing it. Again, I kind of go back to that, what we had discussed earlier, that getting society as a whole to understand how important this is. How do you do that?

John Gerdy:                 

You pound away. Day in and day out. Again, it's data. The data is out there for you. If you look at the data, in terms of music's educational impact on all of this wide area. For example, when we went to school, the idea of international learning opportunities, exchange programs, tours, and stuff like that, were nonexistent, right? In today's interconnected global economy and world community, our schools are expected to provide some sort of international flavor, international opportunities. Music is a tremendous platform to do that because it's the international language or the universal language.

Scott Lamar:                

We only have a minute or so to go, but I want to thank you very much for being with us. I do have a quick from a lister says, "Has several musical instruments from his father's estate." Do you know where he can donate them for this cause?

John Gerdy:                 

Well, we could contact us and we could help him, musicforeveryone.org.

Scott Lamar:                

Okay. What are you looking, I mean, in 30 seconds or less, what kind of message would you like to leave with your guests? What do you need?

John Gerdy:                 

Anything and everything. I mean, we are every day out there scrapping, and trying, and trying to generate resources, and then turn ... whether it's volunteers, whether it's cash, whether it's instruments, to then turn around and invest them strategically to enhance our music programs in our communities.

Scott Lamar:                

John Gerdy is found and executive of Music For Everyone in Lancaster County. You know, this is something that can spread beyond the Lancaster county borders, I'm sure. John, thank you very much for being with us today.

John Gerdy:                 

Thank you.

 

Why Not Flag Football?

Originally published in the June 15, 2015 edition of the Philadelphia Inquirer.

Why Not Flag Football?

It’s time for parents, school officials, the sports media, fans and anyone else who continues to resist the need to reconsider and re-imagine tackle football at the youth, junior high and high school levels to take a long, hard look in the mirror and ask themselves a question:

Why not flag football?

Consider how we have long justified tackle football at these levels. That justification starts with the emphatic assertion that the game is “about the kids”.  The narrative continues. Tackle football teaches things that cannot be taught in the classroom. The field and weight room are classrooms where coaches teach valuable life lessons such as discipline, teamwork and personal responsibility.  Tackle football also increases student “engagement”, making kids more likely to stay in school while keeping them out of trouble by giving them something constructive to do. There’s the notion that participation in tackle football contributes to personal fitness. And in an increasingly competitive world economy and global community, the competitive aspect of tackle football can serve as a teaching tool. It’s also widely accepted that tackle football serves as a valuable community building function as few things can unite a community more than a successful tackle football team. And finally, tackle football is very entertaining.

But consider this.

It can be argued that football is so popular and entertaining because it satisfies a deep human attraction to, for lack of a better term, “bloodlust”. Like a moth to a flame or the rubbernecker to the auto accident, we are attracted to the crunches, crushes, mayhem and carnage. Let’s be honest. The violence and sheer brutality is a big part of tackle football’s entertainment appeal.

As evidence regarding the link between football, concussions and lasting brain damage mounts, there has been increasing attention to and dialogue surrounding how the game can be made “safer”. As if a game that, at its’ core, is predicated on inflicting bone crunching, brain rattling physical punishment on opponents can be made suitably safe. Let’s say that football’s damage quotient is at 9 on a scale of 10. Even with great effort, the most that could be expected would be to nudge that needle back from nine a bit.  Would that be safe enough? The fact is, the game is inherently, fundamentally violent. It is what it is, a brutal game. Instituting a few rules that will only marginally improve player safety and launching glitzy public relations efforts to sell those rule changes as having a meaningful impact won’t change that reality.

So, how about Flag Football?

Other than the bone crunching hits, blocks and tackles and the gladiatorial (and expensive) equipment required to “survive” those brain scrambling hits, blocks and tackles”, 95% of the two forms of the game yield essentially the same benefits for participants. But rather than having to literally sacrifice your body to tackle a ball carrier, in flag football, a defender must grab a ribbon from a belt attached to the ball carrier.  The essential elements of the game remain, including the grace, beauty and athleticism, albeit without the bone crunching, brain scrambling hits, blocks and tackles. And if you don’t believe it, go back to paragraph two and substitute “flag” for “tackle”.

You will find that all of the justifications that apply to tackle football can apply equally to flag football.

So why the resistance from the supposed “adults” in the room: parents, school officials, the sports media and fans?

We say that the game is “about the kids” and that it’s about teaching valuable life lessons, developing healthy bodies and competitive instincts, building community and providing entertainment. But if that were the case, rather refusing to consider a switch from tackle to flag football, we’d embrace the change. To do otherwise is to enable the continuation of an activity in which our children have a reasonable chance of sustaining life long brain damage. Why would we not embrace such an activity when a significantly safer and less expensive, alternative exists?

Some will cite a lost “benefit” of such a re-imagining of the game to be the loss of the extremely physical nature of it. Without that raw brutality, the lessons learned from getting up after being knocked down may be lost. This is nonsense. I played basketball professionally. I got knocked down hundreds of times and had to pick myself up and get back in the game. Basketball, and plenty of other sports, including flag football, can teach that lesson.  In short, tackle football does not have the market on teaching that life lesson.

The fact is, virtually every benefit that can be derived from tackle football can still be taught and absorbed through participation in flag football. Players will still be on teams to learn sacrifice, personal responsibility and teamwork. They’d still be actively engaged in a physical activity. They’d still compete for starting positions and against other teams. And the game would continue to be wonderfully entertaining, but in a different, less brutal (and expensive) way.

If all of the potential benefits for the participants remain, why not seriously consider it? If the game is truly about the kids as we claim, why not flag football? It offers the same benefits without the potential life long damage to the brain.

Are we so selfish as to refuse to reconsider and re-imagine football’s format to make it significantly safer for our children simply because it will be less entertaining for us?

It’s time to take a long, hard look in the mirror and ask:

Why not flag football?

WSJ - Coming Soon to Campus: The $100,000 Hotel Room

By Laine Higgins

Texas A&M University on Thursday will hold a lottery in which the winners walk away with an unusual—and very expensive—prize: The right to pay $100,000 for a hotel reservation.

The six-figure price tag is largely based on a single amenity: The yet-to-be-built hotel will sit across the street—96 feet away, to be exact—from Kyle Field, where the Aggie football team plays six or seven games each year.

Sound absurd? Thus far more than 750 Texas A&M alumni have expressed interest in the program, though not all of them had put down a refundable $5,000 deposit as of Monday. Less than a third of that number will win. For sleeping quarters on the hotel’s top floor—13 suites and 36 standard rooms—the deposit was $10,000. Those reservations, where the starting point for bids ranges from $125,000 to $475,000, will be auctioned off on Tuesday.

The clamor for the “guaranteed room options,” as they are called, is possibly the apogee of college efforts to wring extra revenue from well-heeled alumni on football game days. Already, most major universities require mandatory donations, usually thousands of dollars, for fans wanting premium season tickets. Some schools sell licenses for primo parking spaces.

“These folks are working every single angle that they can possibly think of to squeeze more juice out of the athletic machine,” says John Gerdy, a former associate commissioner of the Southeastern Conference and author of several books on collegiate athletic reform. “On one hand, it’s brilliant.”

The guaranteed room options, or GROs, work much like the personal seat licenses now offered by many professional sports teams—only for hotel rooms rather than season tickets. At A&M, the holders will make a one-time, tax-deductible $100,000 donation to the university in exchange for the right to reserve a specific room on any day for the next 10 years. They also get a plaque engraved with their names on the door...

Read Full Article Here

At the end of an arduous journey, a refugee family rejoices with music

LNP recently featured an article by Dr. John Gerdy, highlighting the power of music (and the role of music) in the journey of a refugee in Lancaster, PA.

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Another refugee family arrives in Lancaster, a family of six: Asukulu, his wife, Nyassa, and their four children: Temsi , 11, Vumilia, 9, Ivon, 5, and Maria, 2. 

They fled the war-torn Democratic Republic of Congo and spent the last eight years in a refugee camp in Kenya.

Like other refugee families, they arrive here with few possessions. But after surviving a civil war and a long stretch in a camp, Asukulu came with his greatest possession of all: his family, fully intact....

 Read the entire article here.