Building Lifelong Communities Both Large and Small Through Music

One of the most important and powerful benefits of music is its capacity to build communities, both large and small, that can last a lifetime. I was recently reminded of that capacity by a television commercial. The opening scene shows four middle-aged men, instrument cases in hand, greeting each other. After a cutaway to a black-and-white photo of what is obviously the same four men playing music together as young adults, the final scene shows them playing together again, forty years later.

Music’s potential to build community, not only through attendance at a music event, but, more important, by providing opportunities for actual participation, is something that cannot be undervalued or overestimated. Music’s powerful influence in this regard is largely due to the fact that you can participate in music for your entire life. That is why it is so important that we offer broad access to music education in our schools from an early age throughout high school.

The most common way to reap the benefits of music’s community building potential is through continued participation in bands or jam sessions. There are all types of bands with all kinds of sponsoring agencies. Whether a community band, a group of friends forming a rock or jazz band, or simply a loosely coordinated, regular drum circle, there are plenty of opportunities to become an active, participatory member of a music community, regardless of your age or ability. In fact, it is widely accepted that being connected to others and part of a community becomes more important as we age.

And it is not simply small bands or groups of friends that can define a “music inspired community. There can be all types and sizes of music communities.

I have had the great fortune to witness music’s continuing capacity to build community through my work with Music For Everyone. One of MFE’s key mission components is to cultivate the power of music as a community-building tool.  Two of MFE’s programs provide great examples of music’s ongoing community-building potential.

The MFE Community Chorus is a choral group that gets together one night a week to sing. The group is open to anyone, regardless of age or ability. Average attendance at the weekly gatherings is between fifty and seventy, with over a hundred members in total. The chorus is a vibrant community in and of itself. It brings together a very diverse group of people who have bonded in ways that go beyond music. Friendships have blossomed. Members emphasize how much they enjoy the group and how much it means to be a part of it. And the group has developed its skill to the point where it has public gigs that draw crowds in the hundreds.

MFE’s Keys for the City program, in which between ten and twenty artistically designed and painted pianos are placed throughout the city of Lancaster each summer, is another powerful example of music’s ongoing ability to build community. Whether you are a virtuoso or a beginner, whether you play Chopin or “chopsticks,” you have access to these pianos. Everyone who has played one of these pianos or heard one being played while walking through downtown Lancaster is connected. Literally tens of thousands of magical musical moments occur around those pianos each summer with people of all ages, races, and beliefs coming together to share the community building power of music. They all share this common civic and very public experience.

A major part of that shared public experience is the extraordinary way the citizens of Lancaster have embraced the program and care for these pianos.  The first season, there were serious doubts the pianos would last a week on the streets before being vandalized and destroyed. But Lancastrians proved the naysayers wrong. That first year, after 20 pianos were on the streets available 24/7 for four months, there was one incident of vandalism. This very public display of caring and responsibility has resonated throughout the community. It has instilled a sense of civic pride in the decency and integrity of the citizens of the Lancaster community. Keys for the City has had a profound impact on Lancaster’s vibrant arts scene by providing a random gift of music, uncountable times throughout the city all summer long. This is a real-life testament to music’s tremendous ability to contribute to a sense of community in profound and ongoing ways.

Further, because music is the universal language, its potential community-building impact is not only local but global.  There are all types of musical groups that bring together young adults for tours of foreign countries, which enables them to learn about and appreciate different cultures as a way of demonstrating that we are all part of a world community.  In an age that demands the crossing of cultural and national divides, a universal language has great value.  

Meanwhile, the number of ways in which music can be utilized to build community through such venues as concerts, benefit shows, tours, street events and exhibits, is essentially limitless.

But what do these and other community music programs have to do with educational funding priorities of our high schools?

A primary purpose of our educational system is to encourage and inspire a commitment to and love of life long learning. But that is simply the beginning. We must also provide students with the experiences on which to base this commitment, as well as the resources necessary to build a foundation to be an active life-long learner. Education continues after your school years are over. An investment in quality, broad-based and accessible music opportunities and programs can foster an interest in, and life-long love of, music and, as a result, a lifelong continuation of the benefits and lessons learned through such participation. 

Do Pianos Have Souls? Revised & Updated 2.0

I’d never given any thought to whether pianos, like humans, are living, breathing beings with souls. That changed the morning I stopped by the Music For Everyone Keys for the City piano located in front of Lancaster’s Main Public Library early one May morning in 2010.

Since 2010 MFE has been placing anywhere from 12 to 20 pianos, all designed and painted by local artists, on the streets of Lancaster. These pianos are accessible to the public 24/7 from mid-May through the end of September, making Lancaster the “Street Piano Capital of the World”. The objective of Keys for the City is to provide access to musical opportunity, foster creativity and build a sense of community among the public and, in the process, raise awareness for local music education initiatives.

As Keys enters it’s eighth year, I can’t help but remember that morning in 2010 when I was taught that, yes, indeed, pianos are living, breathing beings with souls.

It had rained the previous night, which presented an early challenge in what we were hoping would be a highly visible, four month public arts project. When we announced that we were going to place 20 pianos throughout town, available for everyone to play 24/7 for four months, everyone told us we were crazy. They told us that those pianos wouldn’t last a week before they would be vandalized. But we believed in Lancaster’s “better angels” and that our citizens were responsible and caring with enough civic pride that they would take care of these works of musical art. Maybe we were crazy, but to us it was not only a public art project, but a social experiment to test the power of music as a tool to bring people together.

We were also told that being exposed to the weather would quickly render them out of tune. We were willing to accept that possibility as this was not about the stage at Carnegie Hall but rather the streets of Lancaster, PA. Further, when making music, it’s not how many notes you play, it’s how you play the notes you play.

Even if they would become unplayable, they’d stand on their own as works of art. Many cities had sponsored art installations such as painted cows, (Harrisburg, PA) or crabs (Baltimore). Keys for the City represented a step beyond. Did the cows of Harrisburg “Moo”? Could the crabs of Baltimore…what sound exactly does a crab make?

Keys for the City went a step further in making this exhibit fully interactive. This ability to “engage” people in a very direct way was a powerful of example of what “art” is supposed to do- get a reaction and illicit a response from people.

Approaching the piano, I was a bit apprehensive due to the rain the previous night. As the piano technicians we consulted had warned, a good rain will cause the keys to swell and stick together rendering the instrument unplayable. We had planned for this…sort of. Eleven of the 20 pianos were under permanent cover, either under an awning in front of a local business or in another case, under a parking deck. The remaining pianos were not. These were equipped with portable plastic covers – think a giant, outdoor grill cover – which we hoped that citizens, neighbors, passers-by would use to cover them in the event of rain. This is where the social experiment came into play. Would the city “adopt” these pianos as their own and take care of them?  

This piano, on one of the city’s busiest streets, was the first we installed during the two day, mad rush to place all twenty. A big, sturdy, upright, it was colorfully designed by the staff of the sponsoring business, a local amusement park.  In the first week, the Library piano got a lot of attention. It seemed as if there was always someone playing it, an elderly woman, kids with their mothers or folks waiting for a meal in front of the soup kitchen, which is housed in the church next door.

As I approached the piano to check on its’ playability, there was a black man, probably in his mid 40’s, well dressed with thick black framed glasses, briefcase perched next to the piano bench, singing and playing beautifully, with real feeling. A handful of people, most, I assumed, on their way to work in the various government buildings, law firms and cafes that line N. Duke Street, stopped to listen for a few minutes before moving on.

It was a beautiful scene. Exactly the type of scene we imagined when we contemplated Keys for the City. An example of the power of music to bring people – often complete strangers – together to share a moment, a song, a magical moment. Magical moments like these were occurring around the pianos all summer long at all hours of the day and night among all types of people.

But there was business to attend to. I needed to assess how much damage the previous night’s rain had done to the pianos and had at least eight more of them to check out. Waiting for a natural point to interrupt him, I asked, “How’s it playing?”
He replied, with a bit of a grimace, “She’s hurting a bit today. I play her every morning on my way to work.” Obviously, he knew “her” and it pained him that “she” wasn’t feeling well that morning.

He spoke as if the piano were alive. I moved on to check the other pianos but the way he described that piano as a living, breathing being stuck with me. That was the first moment I ever considered a piano to be alive and that they had souls.

I made it a point to play, albeit not particularly well, at least a few every day throughout the summer and found it to be true. Like people, pianos feel, sound and play differently every day. Of course, these day-to-day variations were, to a large degree, a result of changing weather. But regardless of why, the fact remains. They are not simply a collection of wood, keys and cables. They are, in fact alive.

Every piano is unique in its feel, sound and personality. And like people, they have good days and not so good days. They can be moody. Some days can be somber while on other days, they are absolutely radiant and lively.

And as I learned on the streets of Lancaster, PA that morning back in 2010, pianos do, indeed, have souls.

To view the 2018 MFE “Keys for the City” pianos, visit: KeysfortheCity.com

Music Advocacy for the 21st Century

Music Advocacy for the 21st Century

In a world of declining resources and increasing expectations for what constitutes an education worthy of the 21st century, every dollar counts. In such an environment, being able to effectively advocate for programs that yield the most effective educational ROI becomes critically important. As music’s power and potential as an effective educational tool becomes more apparent, music educators and advocates must become more aggressive and strategic in advancing music’s impact as a superior educational investment.

Lessons from Manheim Township

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Article posted online here

Manheim Township’s music lesson

is one that we all can learn

Much has been said and written recently regarding the Manheim Township School District Board of Directors, particularly about its fiscal transparency but also about its provision of music and art education.

The music programs offered to township students have been steadily reduced or eliminated in the past several years. This has occurred despite growing evidence of music’s value as an educational tool.

Seemingly every week another study is released documenting how music education not only teaches character skills — teamwork, discipline, personal responsibility, innovation and creativity — but also improves performance in math, reading, language and logic. These are precisely the characteristics and skills young people need to succeed in the rapidly changing global economy and world community of the 21st century. My purpose here is not to extol the value of music education, but rather to highlight an important lesson in community and educational activism.

Several weeks ago, the school board announced that some music education programs that had been cut would be restored. Some people claim the restoration is being made because the board is about to be audited by the state. While that indeed may be one reason, another important factor is the pressure on the board from parents and concerned citizens. For a long time, they have been active and vocal in drawing attention to the cuts and in pushing the board to restore them.

So this column is less about the value of music education and more about how individual citizens and communities can directly influence educational priorities, programming and funding, particularly in the area of extracurricular activities.

We live in a time of rising standards and expectations for our schools to provide students with an education that will prepare them for the future. Complicating that challenge is the fact that we also live in a time of increasingly scarce educational resources. Virtually every school district in the country is being forced to make hard choices concerning which programs and activities to sponsor and which to cut.

Federal and state mandates dictate most program priorities and funding. But in the area of extracurricular activities, local authorities have the most freedom to prioritize and fund programs. That said, it seems that music and art most often end up being scaled back or eliminated.

Yet parents and citizens of Manheim Township — through hard work and the persistence needed to keep the issue alive — made the public aware of the value of music education to the point where the school board felt compelled to reconsider many of its cuts.

If you believe in the value of music education — not only for current students but also for developing a well-rounded, intelligent and creative populace — Manheim Township’s music lesson is this: Individual citizens, by banding together in a strategic, direct advocacy effort, can influence and even demand that our schools and communities invest more in music education.

Here’s what you can do: Write a letter to the editor of the newspaper. Call a board member, or attend a board meeting and voice your concerns. Ask questions and demand answers.

Attend a school concert, regardless of whether you have a child performing. It is wonderfully fulfilling and inspiring entertainment.

Start a Facebook page as a way to network with friends who share similar concerns and dreams.

Ultimately, what is occurring in Manheim Township has less to do with appreciation for the value of musical education and more to do with community and educational activism. Manheim Township has shown us that, in the area of educational priorities and funding, individual citizens can make a difference.

Those who believe in the power of music as an educational tool must stop bemoaning cuts to programs and start fighting to restore them. The citizens of Manheim Township have provided a wonderful lesson in how to do so.

Do Pianos Have Souls?

Hip Cat playing Piano
Hip Cat playing Piano

I’d never given any thought to whether pianos, like humans, are living, breathing beings with souls. That changed the morning I stopped by the Music For Everyone Keys for the City piano located in front of Lancaster’s Main Public Library early one May morning in 2010. Since 2010 MFE has been placing anywhere from 12 to 20 pianos, all designed and painted by local artists, on the streets of Lancaster. These pianos are accessible to the public 24/7 from mid-May through the end of September. The objective of Keys for the City is to provide access to musical opportunity, foster creativity and build a sense of community among the public and, in the process, raise awareness for local music education initiatives.

As Keys enters it’s sixth year, I can’t help but remember that morning in 2010 when I was taught that, yes, indeed, pianos are living, breathing beings with souls.

It had rained the previous night, which presented an early challenge in what we were hoping would be a highly visible, four month public arts project. When we announced that we were going to place 20 pianos throughout town, available for everyone to play 24/7 for four months, everyone told us we were crazy. They told us that those pianos wouldn’t last a week before they would be vandalized. But we believed in Lancaster’s “better angels” and that our citizens were responsible and caring with enough civic pride that they would take care of these works of musical art. Maybe we were crazy, but to us it was not only a public art project, but a social experiment to test the power of music as a tool to bring people together .

We were also told that being exposed to the weather would quickly render them out of tune. But we were willing to accept that reality as this was not about the stage at Carnegie Hall but rather the streets of Lancaster, PA. Further, when making music, it’s not how many notes you play, but how you play the notes you play.

And even if they would become unplayable, they’d stand on their own as works of art. Many cities had sponsored art installations such as painted cows, (Harrisburg, PA) or crabs (Baltimore). Keys for the City represented a step beyond. Did the cows of Harrisburg “Moo”? Could the crabs of Baltimore…what sound exactly does a crab make?

Keys for the City went a step further in making this exhibit fully interactive. This ability to “engage” people in a very direct way was a powerful of example of what “art” is supposed to do- get a reaction and illicit a response from people.

Approaching the piano, I was a bit apprehensive due to the rain the previous night. As the piano technicians we consulted had warned, a good rain will cause the keys to swell and stick together rendering the instrument unplayable. We, of course, had planned for this…sort of. Eleven of the 20 pianos were under permanent cover, either under an awning in front of a local business or in another case, under a parking deck. The remaining pianos however, were not. These were equipped with portable plastic covers – think a giant, outdoor grill cover – which we hoped that citizens, neighbors, passers-by would use to cover them in the event of rain. This is where the social experiment came into play. Would the city “adopt” these pianos as their own and take care of them?

This piano, on one of the city’s busiest streets, was the first we installed during the two day, mad rush to place all twenty. A big, sturdy, upright, it was colorfully designed by the staff of the sponsoring business, a local amusement park. In the first week, the Library piano got a lot of attention. It seemed as if there was always someone playing it, an elderly woman, kids with their mothers or folks waiting for a meal in front of the soup kitchen, which is housed in the church next door.

As I approached the piano to check on its’ playability, there was a black man, probably in his mid 40’s, well dressed with thick black framed glasses, briefcase perched next to the piano bench, singing and playing beautifully, with real feeling. A handful of people, most, I assumed, on their way to work in the various government buildings, law firms and cafes that line N. Duke Street, stopped to listen for a few minutes before moving on.

It was a beautiful scene. Exactly the type of scene we imagined when we contemplated Keys for the City. An example of the power of music to bring people – often complete strangers – together to share a moment, a song, a magical moment. Magical moments like these were occurring around the pianos all summer long at all hours of the day and night among all types of people.

But there was business to attend to. I needed to assess how much damage the previous night’s rain had done to the pianos and had at least eight more of them to check out. Waiting for a natural point to interrupt him, I asked, “How’s it playing?”

He replied, with a bit of a grimace, “She’s hurting a bit today. I play her every morning on my way to work.” Obviously, he knew “her” and it pained him that “she” wasn’t feeling well that morning.

He spoke as if the piano were alive. I moved on to check the other pianos but the way he described that piano as a living, breathing being stuck with me. That was the first moment I ever considered a piano to be alive and that they had souls.

I made it a point to play, albeit not particularly well, at least a few every day throughout the summer and found it to be true. Like people, pianos feel, sound and play differently every day. Of course, these day-to-day variations were, to a large degree, a result of changing weather. But regardless of why, the fact remains. They are not simply a collection of wood, keys and cables. They are, in fact alive.

Every piano is unique in its feel, sound and personality. And like people, they have good days and not so good days. They can be moody. Some days can be somber while on other days, they are absolutely radiant and lively.

And as I learned on the streets of Lancaster, PA that morning back in 2010, pianos do, indeed, have souls.

To view the 2015 MFE “Keys for the City” pianos, visit: KeysfortheCity.com